Sensory
and Perceptual Processes
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Key Study Terms |
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| Sensation | Sensation is the process by which our sense receptors and nervous system receive stimulus energies from our environment. |
| Perception | Perception is the process by which the brain selects, organizes, and interprets sensory information. |
| Absolute Threshold | The absolute threshold is the minimum stimulation needed to detect a particular stimulus 50 percent of the time. |
| Subliminal | A stimulus that is subliminal is one that is below the threshold for conscious awareness. Limen is the Latin word for "threshold." A stimulus that is subliminal is one that is sub- ("below") the limen, or threshold. |
| Difference Threshold (JND) | The difference threshold, or just noticeable difference (JND), is the minimum difference in two stimuli that a subject can detect 50 percent of the time. For example; how many degrees of a rise in temperature is needed before a person notices the temperature has changed? |
| Weber's Law | Weber's law states that the just noticeable difference between two stimuli is a constant minimum proportion. (At least 5% of the original stimulus, less and you wouldn't notice) |
| Sensory Adaptation | Sensory adaptation refers to the decreased sensitivity that occurs with continued exposure to an unchanging stimulus. Example: When she entered the movie theater she could barely see well enough to find an open seat. If few moments she was able to see everyone in the theater - sensory adaptation had taken place. |
| Wavelength (Hue) | In vision, the wavelength of light refers to the distance from the peak of one light wave to the next. It gives one the perceptual experience of hue, or color. Example: The visible spectrum consists of electromagnetic radiation ranging between wavelengths of about 350 and 750 nanometers. |
| Pupil | The pupil is the adjustable opening in the center of the eye through which light enters. |
| Iris | The iris is the ring of muscle tissue that forms the colored part of the eye and controls the size of the pupil. |
| Lens | The lens is the transparent structure of the eye behind the pupil that changes shape to focus images on the retina. |
| Accommodation | Accommodation is the process by which the lens of the eye changes shape to focus near objects on the retina. To accommodate is to change in order to adapt to a new experience. The lens of the eye accommodates its shape in order to focus objects at varying distances. As we age we loose lens flexibility and we cannot squeeze the lens as we once did while reading, we then require reading glasses to help us focus at close distances. |
| Retina | The retina is the light-sensitive, multilayered inner surface of the eye that contains the rods and cones, as well as neurons that form the beginning of the optic nerve. |
| Rods and Cones | The rods and cones are visual receptors that transform light into neural impulses. The rods have poor sensitivity; detect black, white, and gray; and function well in dim light. The cones have excellent sensitivity; enable color vision; and function best in daylight or bright light. Interestingly we have learned much from animal studies as nocturnal animals possess only rods, and diurnal animals possess only cones. |
| Optic Nerve | Comprised of the axons of retinal ganglion cells, the optic nerve carries neural impulses from the eye to the brain. At the optic chiasm, half of the optic nerve fibers from each eye cross over to the opposite side, so information from the left and right visual fields projects directly to the right and left sides of the brain, respectively. (Sound familiar? Split brain research chapter 2) |
| Blind Spot | The blind spot is the region of the retina where the optic nerve leaves the eye. Because there are no rods or cones in this area, this is a spot where the eye is visually insensitive. The fact that we are unaware of our blind spots indicates that the brain must perceptually "fill in" the missing visual detail. |
| Young-Helmholtz Trichromatic (Three-color) Theory | The Young-Helmholtz trichromatic (three-color) theory maintains that the retina contains red, green, and blue sensitive color receptors that in combination can produce the perception of any color. This theory explains the first stage of color processing. |
| Opponent-process Theory | The opponent-process theory maintains that color vision depends on pairs of opposing retinal processes (red-green, yellow-blue, and white-black). This theory explains the second stage of color processing. |
| Color Constancy | Color constancy is the perception that familiar objects have consistent color despite changes in illumination that shift the wavelengths they reflect. (Remember our red apple discussion?) |
| Audition | Audition refers to the sense of hearing. |
| Gestalt | Gestalt means "organized whole." The Gestalt psychologists emphasized our tendency to integrate sensory impressions into meaningful perceptions. |
| Figure-ground Relationship | The figure-ground relationship refers to the organization of the visual field into two parts: the figure, which stands out from its surroundings, and the surroundings, or background. Sometimes figure-ground relationships are ambiguous -- what is first perceived as figure is then perceived as ground, and vice versa. |
| Grouping | Grouping is the process by which we organize stimuli into coherent groups. Gestalt psychologists identified various principles of grouping. |
| Proximity | Proximity is the Gestalt principle that we tend to group together sensory stimuli that are near one another. The proximity of individual notes in a piece of music leads to the perception of measure and other musical groupings based on intervals of time. |
| Similarity | Similarity is the Gestalt principle that we tend to group together sensory stimuli that are similar. The basis for the similarity may be appearance, size, color, or any of many other dimensions. |
| Continuity | The Gestalt principle of continuity is the perceptual tendency to group stimuli into smooth, continuous patterns. |
| Closure | Closure is the perceptual tendency to fill in incomplete figures to create the perception of a whole object, as identified by the Gestalt psychologists. |
| Depth Perception | Depth perception is the ability to create three-dimensional perceptions from the two-dimensional images that strike the retina. |
| Binocular Cues | Binocular cues are depth cues that depend on information from both eyes. Bi- indicates "two"; ocular means something pertaining to the eye. Binocular cues are cues for the "two eyes." |
| Monocular Cues | Monocular cues are distance cues that depend on information from only one eye. Mono- means one; a monocle is an eyeglass for one eye. A monocular cue is one that is available to either the left or the right eye. |
| Retinal Disparity | Example: The stereo-opticon passed around in class. The 3-D effect is from the plates that presents slightly different images of the same scene to the two eyes. The retinal disparity that results imparts a three-dimensional effect. |
| Convergence | Convergence is a binocular depth cue based on the extent to which the eyes converge, or turn inward, when looking at near or distant objects. The more the eyes converge, the nearer the objects. |
| Relative Size | Relative size is a monocular cue for distance; when two objects are presumed to be the same, the one producing the smaller retinal image is judged to be more distant.: As you stare at a person walking away from you, the relative size of the image their body projects onto your retinas decreases. |
| Interposition | Interposition is a monocular cue for distance; nearby objects often partially block more distant objects. |
| Linear Perspective | A monocular cue for distance, linear perspective refers to our tendency to perceive the convergence of parallel lines as indicating increasing distance. Notice railroad tracks for this classic example. |
| Perceptual Constancy | Perceptual constancy is the perception that objects have consistent lightness, color, shape, and size, even as illumination and retinal images change. |
| Extrasensory Perception (Esp) | Extrasensory perception (ESP) refers to perception that occurs without sensory input. Supposed ESP powers include telepathy, clairvoyance, and precognition. Extra-means "beyond" or "in addition to"; extrasensory perception is perception outside or beyond the normal senses. |
| Parapsychology | Parapsychology is the study of ESP, psychokinesis, and other paranormal forms of interaction between the individual and the environment. Para-, like extra-, indicates "beyond"; thus, paranormal is beyond the normal, and parapsychology is the study of phenomena beyond the realm of psychology and known natural laws. |